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Introduction |
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Theorizing disability in music |
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Neil Lerner, Joseph N. Straus |
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PART I. NARRATING DISABILITY MUSICALLY |
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Fever/Fragile/Fatigue: music, AIDS, present, and... |
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Paul Attinello |
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Of bodies and narratives: musical representations of pain and illness in HBO's W;t |
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Maria Cizmic |
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Female subjectivity, disability, and musical authorship in Krzysztof Kieślowski's Blue |
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Kelly Gross |
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Dancing out of the dark: how music refutes disability stereotypes in Dancer in the Dark |
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Jennifer Iverson |
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The horrors of one-handed pianism: music and disability in The beast with five fingers |
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Neil Lerner |
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Stuttering in American popular song, 1890-1930 |
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Daniel Goldmark |
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PART II. PERFORMING DISABILITY MUSICALLY |
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Learning to hear autistically |
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Dave Headlam |
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Glenn Gould, austistic savant |
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S. Timothy Maloney |
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Using a music-theoretical approach to explore the impact of disability on musical development: a case study |
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Adam Ockelford |
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Melisma as malady: Cavalli's Il Giasone (1649) and opera's earliest stuttering role |
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Andrew Oster |
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The organ of the soul: voice, damage, and affect |
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Laurie Stras |
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PART II. COMPOSING DISABILITY MUSICALLY |
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Les chansons des fous: on the edge of madness with Alkan |
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L. Poundie Burstein |
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Finding autism in the compositions of a 19th-century prodigy: reconsidering "Blind Tom" Wiggins |
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Stephanie Jensen-Moulton |
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Beyond abnormality - dis/ability and music's metamorphic subjectivities |
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Marianne Kielian-Gilbert |
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Mental illness and musical metaphor in the first movement of Hector Berlioz's Symphonie fantastique |
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Stephen Rodgers |
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Inversonal balance and the "normal" body in the music of Arnold Schoenberg and Anton Webern |
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Joesph N. Straus |
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Introduction |
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Theorizing disability in music |
|
|
Neil Lerner, Joseph N. Straus |
|